Author of The World War Two Series
I've written a novel for each of the seven years of World War Two, plus a sort of intro in 1938. To me, it’s an inexhaustible subject for many reasons, some of which are the moral issues it confronts, its parallels to today’s wars, and the ever-present possibility of dictator-driven genocide. The novels are not connected; their commonality being ordinary people whose lives and destinies are distorted by war. Each takes place in a fictional town, itself a character, and each has an underlying theme: one art, one sport, one music, one food, one science. (The theme of the last, is, appropriately, writing itself.) They’re fast-paced, evocative and historically grounded in the very real events that characterized each year of the global conflict.
The World War One series has just begun, with Charentin, 1918 and Denderbeck, 1915 already published. As with the World War Two series, the novels are independent and unconnected. They feature not famous figures from the period, but 'ordinary' people caught up in the conflict and showing their own brand of heroism.
The World War One series has just begun, with Charentin, 1918 and Denderbeck, 1915 already published. As with the World War Two series, the novels are independent and unconnected. They feature not famous figures from the period, but 'ordinary' people caught up in the conflict and showing their own brand of heroism.
Wednesday, November 6, 2013
Behind the Book: Kopersund. 1942
The
invasion of Norway doesn't get a lot of attention. It was just another domino that fell before
the Nazis in the early days of the war -- Austria, Poland, Czechoslovakia, Belgium, France, Holland, Denmark… and then Norway. Britain tried to protect it, but failed. Sweden stayed neutral. Finland was tied up with its own problems
with Russia. The Norwegians were on their
own.
Norway
was valuable -- iron ore, heavy water.
Its king, Haakon VII, escaped with his family for England, and many of
his subjects got away too, to train and go back as undercover agents. In my book, a woman who had been disfigured
in the bombing of Narvik harbor is one of those expats who train in Scotland
and return, and because she is so hard to look at, she becomes a valuable
agent. The Nazis, who had spent the
thirties liquidating all the handicapped in their own country, would never take
seriously such a hideous face.
Her
first mission is to bring back an errant British scientist, who in an excess of
boyish zeal talked himself onto an RAF bombing flight that crashed in the
mountains. What she doesn't know,
though, is that he has been injured too.
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