Author of The World War Two Series

I've written a novel for each of the seven years of World War Two, plus a sort of intro in 1938. To me, it’s an inexhaustible subject for many reasons, some of which are the moral issues it confronts, its parallels to today’s wars, and the ever-present possibility of dictator-driven genocide. The novels are not connected; their commonality being ordinary people whose lives and destinies are distorted by war. Each takes place in a fictional town, itself a character, and each has an underlying theme: one art, one sport, one music, one food, one science. (The theme of the last, is, appropriately, writing itself.) They’re fast-paced, evocative and historically grounded in the very real events that characterized each year of the global conflict.

The World War One series has just begun, with Charentin, 1918 and Denderbeck, 1915 already published. As with the World War Two series, the novels are independent and unconnected. They feature not famous figures from the period, but 'ordinary' people caught up in the conflict and showing their own brand of heroism.

Saturday, November 1, 2014

Behind the Book: Emmerspitz, 1938

I had thought I was finished with WWII, and I'd already completed two novels in the WWI series.  I was about to tackle 1914 when this idea for 1938 muscled its way to the front of the queue.

In my family, there's a story that one of our aunts traveled to Germany in the late thirties and became good friends (you can read into that whatever you want), with a German boy.  He is said to have asked her, when she returned home, to warn her government that Hitler had eyes on Britain.   

What she did with this warning is not known, though I doubt she was in a position to do anything – a middle class teenager with no connections in government.  But I've seen a film shot on her new movie camera (her dad worked for Kodak in London), showing the two of them windswept and happy.  He was either wearing a Boy Scout uniform, or, more probably, that of the Hitler Youth.

This, understandably, had stuck in my mind.  But on its own it was not enough to carry an entire novel.  (It did, however, bring to mind a cultural exchange in the other direction.  When I was a teenager we had a German boy stay with us for a couple of weeks.  It did not go well, and I was not invited back to his place.) 

It was not until I attended a Bat Mitzvah of a friend in San Pedro, California, that the rest of the story clicked into place.  One of the rescued torahs from Czechoslovakia (a story – or rather, several – in itself) was passed around, and I found the moment profoundly moving.  It was then that I knew I had my story.

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